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The end of 2020 in Cameroon has been busy in terms of film releases. Several films have been shown in various cinemas in the country. Even if the exact figures are not available, many people have come to discover these films whose screenings have not always been quietest<\/span><\/strong><\/em>.<\/em><\/strong><\/span><\/p>\n<\/div>\n In early november 2020 we announced the release of several films in Cameroon for the end of the year<\/a>. Good news for a cinema in full renaissance where filmmakers are increasingly trying to tell stories rooted in the daily lives of their audiences.<\/span><\/p>\n<\/div>\n The Fisherman’s Diary <\/strong>by Enah Johnscott<\/em><\/p><\/blockquote>\n It was the Johnscott Enah’s<\/em> film, The\u00a0Fisherman’s Diary<\/strong> that kicked\u00a0off this wave of film releases in Cameroon with a premiere in “classic eighties”<\/em> mode on 24 October 2020 at Canal Olympia Bessengu\u00e9. The film went on to raid the Ecrans Noirs 2020 festival, winning a good part of the awards<\/a><\/span>. Beyond Cameroon, the film has not ceased to win prizes at festivals and awards evenings. Some sources reveal that the film is on track to be the first Cameroonian film to be released on the Netflix<\/a> platform. Information which, if confirmed, will give an extraordinary visibility to all the filmmakers of the country of Dikongue Pipa<\/em>.<\/p>\n<\/div>\n